Wednesday, October 12, 2005

If I'm telling tales about the Folks, I can hardly omit my one and only performance on stage at the Folks (I mean my one and only musical performance on stage; I'll discuss that other performance in my next entry). It was Christmas Eve eve, and the last Folks of 2001. And what says Christmas more than a musical tribute to Johnny Cash, featuring London's best Johnny Cash tribute act The Folsom Four (featuring Morrisey's guitarist Boz Boorer) with "special guests"? As usual anyone was welcome to perform a couple of songs beforehand, and on this occasion the suggestion was made that floorspot performances should really be Johnny Cash related.

What better occasion, then, for me to make my performance debut? The Autocrat and I had gotten together a couple of nights beforehand and ran through a couple of appropriate songs (No Depression in Heaven, Daddy Sang Bass) until I was able to manage to get everything mostly right, or at least close enough. We were on first and I'd never seen so many people crowded into the Golden Lion. Fortified with a sip or two of the dark stuff I was ready to take the stage (or as ready as I'd ever be). I don't recall much at all about the performance, other than that the songs were really short, that my (brief) solos were pretty much disastrous, and worst of all that I didn't sing the "Daddy sang bass" line particularly low, which ruins the whole effect (thank goodness the Autocrat was able to provide a quality falsetto for the "tenor" part, as well as being an excellent player despite my hacking performance). We did, however, receive a roaring ovation when we finished (perhaps out of pity, but it doesn't matter, I'll take it) and it was such a relief to be finished that I can't exactly remember what happened immediately thereafter.

Eventually the Folsom Four came on stage and ran through the whole range of Cash material (they played pretty much everything you'd expect), but the best was yet to come as the special guests started to appear, each one backed by the Folsom Four. First up was one of the guys from psychobilly band The Meteors (at least, I think that's who it was. If not, well you'll have to blame my unfamiliarity with the world of psychobilly [or anything-billy for that matter]). Following him was UK comedian Mark Lamarr, radio personality and host of the music/comedy TV program "Never Mind the Buzzcocks" (a favorite in the Dunce house). Surprisingly enough he was quite good as a musical performer as well (follow this link if you'd like to book him for your event. Fee bracket £11k - £15k) although I can't recall any details of his performance. Because of my shock and awe at seeing the next performer...

At first I thought it was just another drunk crazy guy off the street, a common occurrence at the Golden Lion. But then he was introduced... as Adam Ant! He was wearing a cowboy hat, a dark jacket and some heavy sunglasses, loads of rings and camouflage trousers. When he took off the hat it was clear why he was wearing it: a mohican doesn't look so good when the front half has been devastated due to baldness. In honor of the Johnny Cash tribute theme he began by complaining that Elvis Presley is underappreciated, and therefore he'd treat us to a few Elvis songs. Very strange to hear an aging, crazed Adam Ant singing "In the Ghetto", that's for sure (not to mention "Bang a Gong [Get it on]" which was also part of his performance according to my records). Once he'd staggered through the Elvis songs it was time for some Eighties classics (Cleopatra, Young Parisians, Prince Charming among others). I think his performance was rubbish but by that point it didn't matter, everyone was crowded toward the front, standing/dancing on every available horizontal surface (and some not-quite horizontal surfaces). Eventually it was over and Adam Ant eventually staggered off into the Camden night. What a memorable night it was... the night I opened for Adam Ant.


Epilogue: Only a couple of weeks later, Mr. Ant (real name Stuart Goddard) got into a bit of trouble around Camden Town. The NME headline says it all, really: "ADAM ANT IN MENTAL WARD", while the BBC was a bit more sensitive "Adam Ant detained in hospital". According to follow-up reports (BBC source), "The singer was charged earlier this year after the incident in January at the Prince of Wales pub in Kentish Town, north London. He returned to the pub after regular drinkers there laughed at his "cowboy" clothes. He was said to have smashed the pub's windows - injuring musician Plato Contostavlos - and waved a starting pistol at customers who ran after him. It appeared he was furious that customers had mockingly sung the theme from The Good, The Bad And The Ugly when he walked in.". Fortunately it seems that things have improved for Mr. Ant, according to gigwise his autobiography is on the way: "The book, entitled, ‘Stand and Deliver’ will chart the singer’s dysfunctional childhood and his rise to fame and his decline into manic depression. Ant has kept in-depth diaries of his life since the 1970’s and has signed a lucrative deal to spill the beans on his crazy life."
Wednesday, October 12, 2005 12:15:48 PM (GMT Standard Time, UTC+00:00)  #    Disclaimer  |  Comments [0]  | 
 Tuesday, October 11, 2005

A London institution is to be no more. I've already been scooped by Sarmoung who gives a brief report here (if reporting on a publically-circulated email can be called a scoop) about the imminent demise of the weekly music club "Come Down and Meet the Folks" (website still to be found here at least for a while). According to the Folks History page it's been a regular event since 1996, held every Sunday early evening (supposedly ending in the vicinity of 8pm which, in theory, allowed a full musical experience without excessive suffering come Monday morning [I said "in theory"])This Sunday will be the last Folks (at least as a weekly event, and contrary to what the "forthcoming events" listing on their website may suggest), and as it was an important part of my London experience I thought I should mention a few of my Folks highlights.

My first Folks experience was at the end of April 2001, definitely a time of transition for me as a couple good friends had packed up and left London earlier that day. Casting about for something to do on a lazy Sunday afternoon I picked up a copy of Time Out and noticed two important words, neither of which I had formerly associated with London: "free" and "bluegrass". How could I resist? The event calendar said 4-8pm so I thought I'd wander in a little after the starting time. At the time the Folks was held at the Golden Lion in Camden Town (rated 4.5/10 on b.i.t.e. with this quite-accurate user comment "...It's one of those inner London locals with little in the way of redeeming features. The pool table is tiny and seems to be monopolised by 10-year olds. It has an air of loneliness. It sounds very patronising, but you come out feeling sorry for the place."). Little did I know that the Folks didn't really start going until 6:30 or so, so there I was in a rather down-at-heel pub where I found myself in conversation with a couple of drunken, lairy locals. One of the "highlights" of this conversation (besides the predictable piss-taking of all things American) was a wacky practical joke I would urge you to play on all your friends as it's quite hilarious!!

1. Put your finger in your bottom.
2. Wipe it under your friend's nose.
3. Hilarity ensues!!

Fortunately I was neither a putter nor a wiper (I got over this fad about the age of five or so), yet somehow this delightful frivolity did not drive me out of the pub (to somewhere I could lie in the fetal position, no doubt). Eventually a less "local" crowd started to gather, some in Midwest/Southwest lowlife costumes (think "truckstop chicken", "gas station attendant", "leering guy who sits on his porch with beer and a gun", etc. And not a nice truckstop, gas station or porch either), others in full-on rockabilly costume, others who looked like they were trying to be the early Rolling Stones, and everything in between (or so it seemed).

By the time the music started, I was sold. I don't remember who all played (there has been a long-standing custom that pretty much anyone who wants to play can stand up and do a couple of songs). The main act was Foghorn Leghorn, a north London bluegrass band perhaps best known for their cover tunes (Motorhead's Ace of Spades being the one I remember from that day [and many others]). I think they're still around although it's been a while and their website doesn't appear to be in action at the moment. I don't think I met any of the "Folks" themselves (there was always a bit of tension between the Folks and the Locals, about which more later) but I decided I'd start attending regularly. Which was good indeed for me...
Tuesday, October 11, 2005 11:39:25 AM (GMT Standard Time, UTC+00:00)  #    Disclaimer  |  Comments [0]  | 
 Monday, October 10, 2005
This weekend the Dunces were guests at the wedding of our friends (two lovely people who met at our wedding reception) at the historic and scenic Trafalgar Tavern (famous for its whitebait suppers and apparently the setting for the wedding breakfast in Our Mutual Friend by Charles Dickens).


Although we were suffering from some undetermined illness (sore throat, light-headedness, coughing and runny noses) so were unable to fully enjoy the event, we still had a really good time. The food was good (unfortunately it did not include whitebait, possibly at the bride's request) and we met a lot of interesting people, as well as catching up with some old friends and the usual gang.

Here are a few photos; please forgive their low quality which should all be blamed upon the photographer. How could I not start with a photo of the couple themselves just after the ceremony. We are in the process of being received by them and I am blocking the receiving line in order to take a picture.


The happy couple then wandered outside for some family photos along the Thames. In this one they are posing with Uncle Horatio (I'm not sure which side of the family he comes from, but he was rather standoffish and didn't say a word to anyone the whole day).


Here are the Dunces in our wedding finery. I am sorry to say we got no pictures that show more detail of Mrs. Dunce's outfit (mine is nothing special as I wear it for every single court appearance and other similar occasion).


Mrs. Dunce and one of her oldest London friends, a Mr. R_______. When I say "oldest" I am not referring to the number of years Mr. R_______ has spent on this earth (although recently he has rather impressively cast off the shackles of 35 and joined many of us in the freedom that 36 can offer) but the duration of friendship (uninterrupted, I should also note):


The wedding was not without its intrusion by paparazzi trying to capture the moment and then cynically sell it off to the highest bidder. Fortunately equipment malfunctions prevented this particular pap from capturing any unauthorized images.



As far as the location, the review on Fancyapint.com says "Anybody who's ever been to Greenwich knows the Trafalgar. It's a huge, handsome pub, well in keeping with its grand and historic surroundings. It's right on the river with views to the north and as a result, is incredibly popular. We usually visit this pub when we're meeting people who are new to the area and then we have to move on. It's not the pub's fault, but the tourist crowds, seemingly packed floor to ceiling, cause us to repair to other establishments, should we require quiet conversation - you'd do the same same in any tourist haunt in any city."

Comments on beerintheevening.com are largely negative (the pub itself earns a passable 5.2/10 rating), but mainly related to the crowds of tourists and the poor state of the toilets. As far as the former goes, hard to say from our perspective as the wedding party had the entire upstairs area (including a small bar, a large dining room/dance floor, and another room which served mainly as the location for the gift table). The toilets, however, were not the best I've seen (nor even "average for a pub"). Quotes from beerintheevening give a good indication of the situation. "There is no excuse for the state they are often in." "The toilets are the filthiest I have seen in a pub for ages." "Never have I been to a pub where the toilets are consistently in such a disgusting state." and so on. My own toilet experience at the Trafalgar Tavern went beyond mere filth; I found myself in what can only be described as my own Fortunato moment. I went into one of the stalls and shut the door. Although it had no latch it seemed to close fairly securely, so I went about my business prepared to shout out if someone else started to enter. Fortunately no such interruption occurred so once my needs had been seen to, I prepared to make my exit (and grand return to the wedding party). But the lack of a latch which had led to my own dismay at the possibility of being interrupted now caused equal dismay as there seemed to be no surface on which my fingers could gain purchase to open the door. For hours I waited for someone else to enter, all the time working at the door, shredding my fingertips to the bone, breaking my spectacles and twisting them into a hook, sharpening my belt buckle on the floor tiles in order to dig out the hinges, then eventually writing messages to loved ones in the filth on the wall before expiring. Or else I opened the door by gaining purchase on its underside with my fingers (despite the caked filth which I spent the next few minutes feverishly washing off my hands).

Um, perhaps this is a bad way to make the transition into giving the bride and groom all my best wishes for the future. But now I have no choice. "To the bride and groom: Best wishes for the future, and may your marriage be like a clean toilet cubicle whose door opens and closes as it is meant to do." Errrr, maybe these wishes should not be thematically related to my own toilet experience. "To the bride and groom: Best wishes for the future; never mind the toilet comments."
Monday, October 10, 2005 12:44:39 PM (GMT Standard Time, UTC+00:00)  #    Disclaimer  |  Comments [4]  | 
 Thursday, October 06, 2005

Last night I went to a small, low-key bachelor party for a friend of mine who's getting married tomorrow. And all manner of hilarity ensued. Here are just a few of the things that happened.*

... The bride and her friends dressed up like prostitutes in order to spy on the groom, but accidentally found themselves in a room full of Japanese businessmen, with predictable consequences.

... A donkey died from a drug overdose. What's funnier than that?

... A naked man fell out of a hotel window and fell through the roof of a car, right between a couple who were just about to kiss. Whoops!

... Someone with a gun was trying to shoot the guests.

... The groom ended up fighting with the bride's ex in a movie theater. But as the film was being shown in 3d, the audience thought it was just part of the show.

... A nerd fell in love with a transvestite; much hilarity ensued when he discovered the secret.

*When I say "happened", I mean "happened in the 1984 film "Bachelor Party" (starring Tom Hanks, Tawny Kitaen and, errr, Adrian Zmed)", and not in last night's bachelor party which would surely not make a rollicking, good-time movie that stands the test of time. It is a travesty that "Amadeus" received the 1984 Best Picture Oscar, and that "Bachelor Party" was not even nominated. Did "Killing Fields" have any donkey overdoses? Did "A Passage to India" have any fights in movie theaters?! Did "A Soldier's Story" have any characters named "Nick the Dick"? And don't even get me started about "Places in the Heart" and its lack of comedy scenes involving prostitution.
Thursday, October 06, 2005 11:42:41 AM (GMT Standard Time, UTC+00:00)  #    Disclaimer  |  Comments [0]  | 
 Wednesday, October 05, 2005

As a blogger who hasn't been at it for so long (110 entries and not quite 9 months), eventually I must come to the time when I express amusement and befuddlement about the search terms that bring visitors to my site (perhaps in part as a not-so-subtle announcement that the blog is being read by more than just my parents, siblings, spouse and relatives-in-law [insert obligatory in-law joke here]). Now is that time; sorry about that. I've already mentioned the frequent visits by referral spammers (here) but now I'd prefer to discuss real visits by real people. Most of my regular visitors seem to come from bookmarks or (one of a few) blogrolls, and occasional visitors follow links from other blogs (thanks for linking me!). And then there are those who reach me by web searches. Especially Google's fairly recently-launched blog search. As it turns out, here are the top 5 search terms in the past month or so:

1. Inzest: (German translation of "incest". Who would have thought my post about the Inzest-Baby would be so popular. Yes, I do come from Indiana. Yes, my parents do live in Kentucky. That doesn't mean anything in this day and age! Anyway, I suspect (hope?) most of these visitors are leaving entirely unsatisfied.

2. Zigni House: (Eritrean restaurant in north London). My review was a good one and there are not so many other reviews of this place online (undeservedly few!). I'm going there again soon, I promise.

3. Confederacy of Dunce: I'm pretty sure these are all misplaced references to the excellent novel A Confederacy of Dunces which is of course the inspiration for the name of my blog. I share perhaps a few too many characteristics with a particular character in that novel.

4. Boswelox: I was irritated at the pseudo-scientific tone of advertising (boswelox is frankincense + manganese), and I'm not the only one curious about this mysterious, amazing substance which (allegedly) helps reduce the appearance of lines caused by facial micro-contractions. Bah!

5. Sawney Beane: Lots of people are curious about this legendary cannibal about whom I wrote back in the very early days of my blog (only my seventh entry!). He's also known as "Sawney Bean", and apparently Sawney is a nickname for Alexander. No official word yet on whether he really existed, though. Here is the original post (in which I take a fairly a-sawney-ic position).

I can't leave this topic without mentioning my favorite searches of the month (none of which are actually relevant to anything I've written). Special credit is due for the MSN search: do girls fart. Although I have not written on this subject before I will officially reply with a solid "Yes". Second favorite is transporting a motorbike in an inflatable boat. Although I haven't written anything about this before either, I think I'll step forward with an equally solid "No". Finally there was gorge warshington. I'm not quite sure how this found me, but nonetheless it did (But not any more. If you google gorge warshington dunce, you get only one page [not mine]). I like this alternate spelling and may adopt it myself.
Wednesday, October 05, 2005 12:46:36 PM (GMT Standard Time, UTC+00:00)  #    Disclaimer  |  Comments [4]  | 
 Tuesday, October 04, 2005

Yesterday one of my colleagues circulated an email about a future event, specifying the time as "just before the lab meeting next Thursday". It set off a whole bundle of confusion (does she mean "The next Thursday we will experience", or "Thursday of next week"?) and got me thinking about this kind of reference to time.

There are quite a few ways to express a future day of the week: my own variant of English makes a strong distinction between "This Thursday" and "Next Thursday". The former refers to the next Thursday that will be experienced, while "Next Thursday" is the Thursday that follows "This Thursday". This is in addition to the simple "Thursday" which is essentially synonymous with "This Thursday". "This" and "Next" when used with days don't seem to work the same as "This" and "Next" in other contexts (I would use "This bus" only if it can be seen, otherwise "The next bus" to refer to the bus-equivalent of "This Thursday"), and there are additional constraints. For example, if today is Wednesday (which it is not), it doesn't sound correct to say "This Thursday" when "Tomorrow" is a possibility (unless I have lost track of which day it is [sadly this is a fairly common occurrence]). So in this circumstance "This Thursday" has been replaced by "Tomorrow" while "Next Thursday" remains "Thursday of next week". And it also gets awkward once Thursday of a particular week has passed; if today is Friday, "this Thursday" used in a future tense then means "Thursday of next week" ("this Thursday" may also be used in the past tense in order to mean "The previous Thursday"; fortunately English verbs allow this ambiguity to be avoided), but "next Thursday" is much more ambiguous (it could mean "Thursday of next week", although I still typically use it to mean "the second Thursday in the future". But the use of "next" for a day 13 days in the future may be a bit much). My distinction between "This" and "Next" does not depend on the boundary between weeks; I would still use "This Monday" to refer to the upcoming Monday even if today is Thursday (which it is not), and "Next Monday" to refer to the following one.

However, other English speakers do not typically use "This Thursday" as I do (I also occasionally use "This coming Thursday" or "This past Thursday", but this kind of disambiguation is not really necessary). Hence the confusion arising from my cow-orker's email (She meant "Next Thursday" in the sense in which I use it, but other colleagues misinterpreted it as meaning "This Thursday"). This may be because British English uses "next" differently, thanks to the "week" expression. UK "Thursday week" apparently has the same meaning as my "Next Thursday", and UK "Next Thursday" has the same meaning as my "This Thursday" (one of OED's definitions of "week" is "Seven days after the day specified"). Here's an instance of someone who ran into the next/week problem (The blogger's user info suggests that this is also a US/UK translation difference); and here is a discussion related to learning English as a second language. It's unclear to me whether such expressions also apply for a day that has just passed (if today is Wednesday [which it is not], is "Tuesday week" six or 13 days in the future?). Or expressions like "Next Tuesday week" which just make my head spin.

"I would gladly pay you Tuesday for a hamburger today" (Image no longer hotlinked, sorry about that!)

Tuesday, October 04, 2005 10:51:22 AM (GMT Standard Time, UTC+00:00)  #    Disclaimer  |  Comments [2]  | 
 Monday, October 03, 2005

The Dunce household received a couple of letters concerning the fate of our local, the Oakdale Arms, which is under threat of closure and demolition:

Location: Oakdale Arms 283 Hermitage Road N4 1NP

Proposal: Demolition of existing building and erection of a three storey building comprising 4 x 1 bed, 2 x 2 bed, 2 x 3 bed and 1 x 4 bed self contained flats and parking at basement level.

Having expressed a view to the Planning and Environmental Control Service on this matter, you may be interested to know that on 10/10/2005 the planning application on this site will be considered by the Planning Applications Sub-Committee.

The meeting starts at 7:00 p.m. and is held at the Civic Centre, High Road, Wood Green, London N22.

The meeting is open to the public to attend and you, or a representative on your behalf, may speak to the Committee with the Chair's prior approval. If there are a number of people wishing to speak regarding a particular application it is normal practice for one representative from the group of people to address the meeting.

If your wish to address the meeting I would suggest that you arrive about thirty minutes before the meeting and complete a form, which is available immediately outside the Council Chamber, indicating your desire to speak.

The committee report may be viewed on the Council's website - haringey.gov.uk


So that's a plan for next Monday, then. It's a little unclear to me how the representation by one person works, related to the question "How is 'group' defined?". If it is defined as "all individuals sharing a common broad view about whether permission should be granted or not", then the representative should surely be someone more closely associated with the pub than mere occasional locals. On the other hand, members of the Dunce household are part of a very small clique nearly entirely separate from other users of the pub; our standoffish nature may then qualify us as a group worthy of representation before the Committee. But if so, one of us (whoever "us" may be) should prepare to be heard by the Committee. I have never spoken before a public body like this but I envision a terrible scene: one side of the Committee chamber packed to the rafters with hordes of well-dressed, well-heeled sorts supporting the Property Developers in their efforts to bring "NICE HOUSES" to an area soiled by its industrial past (and more recently, 50 Cent and company), the other side with a few degenerates, idlers and bad eggs who have nothing better to do than support all the social ills that a neighborhood public house can bring. The blustering Committee Representative motions for me to speak, then upon hearing my coarse American accent shouts "SILENCE!!" as I am dragged from the hall, beheaded and dismembered, and my head and limbs placed on posts around Haringey as a reminder to Colonials who try and impose their puritanic views upon English neighborhood culture. The pub is demolished and the flats are put on the market, to be sold only to individuals who work in The Media. So maybe I should just go to the meeting and not plan on speaking.
Monday, October 03, 2005 11:24:44 AM (GMT Standard Time, UTC+00:00)  #    Disclaimer  |  Comments [1]  | 
 Friday, September 30, 2005

I'm busy as can be today, preparing to lead a discussion on the latest salvos in the big Hauser/Chomsky/Fitch vs. Pinker/Jackendoff debate on the difficult question of what aspects of language are unique to humans (and how to go about answering that question). But I thought I should briefly mention another interesting music link (thanks to largeheartedboy who is one of my favorite sources of music-related information out there): National Public Radio's music show All Songs Considered is available online and at the moment features a show by M Ward, one of those artists I can't hear enough of (also featured at the moment are the White Stripes and the Shins. Both of whom I like, but not like I like M Ward).
Friday, September 30, 2005 1:55:24 PM (GMT Standard Time, UTC+00:00)  #    Disclaimer  |  Comments [0]  | 
 Thursday, September 29, 2005

I work in a delightfully nasty building, institutional and decrepit in just about every way I can think of. Bare, pitted concrete, peeling paint, asbestos warnings everywhere, bare wires hanging from broken lighting fixtures, scarred walls which show markings of at least three generations of shelves since they were last painted, lifts (elevators) that go out of service on a weekly basis (at least), windows that won't open more than a few inches at the bottom (to stop us from jumping, I think), yet still won't shut out the sounds of a fairly busy London street. All that and offices slightly larger than veal pens. But today was notable even by the minimal standards I've come to expect here. As only one lift seemed to be working (and went past the ground floor, ignoring the call button) I walked up the stairs to the fourth floor where my office is (US equivalent = fifth floor). The doors to one of the lifts stood open, yet the lift was not there (it was on the fifth floor, stalled or something). So an open door to an elevator shaft, straight down to the basement, with nothing between me and the chasm but air. It was like there was a black hole in that elevator shaft sucking me towards it, but somehow I managed to avoid falling in. Don't worry, dear readers; at about noon someone put a garbage can in front of the open doors, and a little while later some strands of tape appeared across the opening.

But it gets even better. I decided to spend some quality time in one of the toilet cubicles (a vaguely-interesting journal article in hand). But sadly I was beaten to the punch by someone else, who zoomed into the "desirable" stall (there are two, one of which has a seat). About the same time all the lights went out (fortunately a window lets natural light in). It was therefore my good fortune that I didn't win the race into the stall, however, as a volley of expletives issued from the stall, followed very shortly by its occupant. Whose hair and shoulders didn't look as clean as they were when he went in. Yes, there was something wrong with the toilets one floor up, and a shower of rank water was pouring down into the just-vacated stall (and presumably, from there to the third floor, and on), and onto anyone who happened to be there. The stench was truly vile; it reminded me of the "swimming pool" that was installed in the basement of our home many years back when the sewers backed up after a flood (Yes, I played in it). Now all of the mens' toilets are out of service (the top one is broken, and the others are all under it). Fortunately if an emergency situation arises I have a couple of plants, a few coffee cups, and a window that opens a few inches, above a busy street.
Thursday, September 29, 2005 2:45:56 PM (GMT Standard Time, UTC+00:00)  #    Disclaimer  |  Comments [2]  | 
 Wednesday, September 28, 2005

Since I'm on a roll writing about crimes and criminals, I may as well keep it going, this time to talk about our recent home invasions. I would have thought the rear of our house was fairly secure, being surrounded on all sides by neighbors' back gardens, all of which are separated by (approx.) 5-foot wooden fences (and plenty of windows). But how wrong I was. We have an intruder who comes into the house for the purpose of petty thievery on a daily basis: several times a day in fact.

Fortunately this intruder is not human, but a feline friend of Zosi who lives next door. We've been introduced to him before (at least, we think he's a "him") but his name didn't stick, so we call him Orangey (unimaginatively referring to his color). He's an older cat, fixed and perhaps for that reason quite mellow in his behavior. He gets along quite well with Zosi (not THAT well, thanks to the fixing). But we leave the cat flap open during the day so Zosi can come and go (especially "go": the litter box is barely used these days. Sorry neighbors. I hope you keep the lid on the sandbox.). But this results in access for Orangey as well. Poor Orangey has no cat flap, so he has to stay out once he's been let into the great outdoors. When he gets hungry, well, I guess there aren't many vermin around, because he loves to sneak into our kitchen and snack on Zosi's food. He's quite aware of our routine (letting Zosi out when we first wake up [possibly because she has waken us up]), since he usually has had a snack before we come down for breakfast. He knows he's not supposed to be there (if he sees us, he runs quick-like out the flap and sits on the stairs awaiting his chance to come back in), so it's a serious dash and grab sort of situation. You can tell he's been at the food because he eats like a bulldozer, scattering food everywhere in his rush to eat before he's caught (Fortunately we are a dry-food only household). Sometimes he eats so quickly that he gets a little sick (a cat after my own heart). It's sort of like we have a second cat, but one we don't really have to take care of. Except for the stealing, that is (a scoop or two of food per day, and perhaps a catnip-filled mouse that is nowhere to be seen). I'll try and catch a picture of him in the act, but he's a sneaky little devil.
Wednesday, September 28, 2005 2:23:38 PM (GMT Standard Time, UTC+00:00)  #    Disclaimer  |  Comments [5]  | 
 Tuesday, September 27, 2005

As if yesterday's entry about the alleged comings and goings of alleged felon 50 Cent wasn't enough, my bike ride home gave me another cause for concern. I was riding home near north London's Clissold Park, when up a block or so ahead I saw a guy pop out from between some parked cars and knock another cyclist off his bike with a big stick. At first I thought I must be seeing things because it's a fairly busy street, and it was nowhere near dark. Then I thought it might be some sort of domestic dispute, but ruled this out fairly quickly as the attacker (and two others) then ignored the victim and went for his bike, trying to unfasten his briefcase from his bike rack. I'm not sure what I would have done had I been the only witness (perhaps shouted "HEY" in as deep and burly a voice as I could muster, which has been successful at dispersing groups of youths a couple of times in the past), but fortunately there were a couple of other cyclists who saw the same thing. We all stopped and ran them off empty-handed (thinking about it afterwards, I'm quite glad we didn't catch any of them), then sort of milled around waiting for the police to arrive (quite quick, thanks to active curtain-twitchers in the area) and the adrenaline to dissipate.

Fortunately the victim was not injured (other than some bruising) and the attackers didn't manage to get anything of value. But this is not at all a pleasant turn of events. I'm aware of other areas in north London where cyclists have been targeted in the past (Somers Town in particular), but these cases tend to be situations where gangs of youths are involved, rather than adults. These guys were all about 18 with buzzcuts and ill-fitting tracksuits. I'm pretty sure they're Polish, not just from their appearance (and the recent increase in the Polish population in the area), but also (and this is a surprise, coming from me) their linguistic characteristics. They were exchanging a few words as we approached, containing quite a variety of fricatives/affricates that are not at all commonly heard in English1 (which can be briefly and informally described as "lots of sounds like 'zh'"). The Wikipedia entry on the Polish language gives a more-detailed breakdown: consonants like voiced alveolo-palatal fricatives (as in "would you"), voiceless alveolo-palatal affricates (as in "what's your"), voiced alveolar affricates (as in "woods"), and many others. Anyway, my cursory knowledge of phonology (along with a few other factors) led me to conclude rather conclusively that there are some bad Polish apples within a mile or so of home.

1In case you're wondering, English fricatives are f, v, th as in "thin", th as in "there", s, z, sh as in "she", the sound of "s" in "measure" (this one is closest to the "Polish sound" at least to my ear), and "h" as in "ham".
Tuesday, September 27, 2005 1:14:03 PM (GMT Standard Time, UTC+00:00)  #    Disclaimer  |  Comments [4]  | 
 Monday, September 26, 2005

The Dunce household has been taken rather off guard by recent sightings of a real live World Famous Celebrity in our neighborhood. According to the rumor mill, Famous Rap Superstar 50 Cent has been filming a new video just a mile or so away on north London's rapidly-gentrifying Green Lanes. But not just Green Lanes, as it turns out, but just a few minutes' walk from our house, at our local, in fact. One of the guys in charge has a blog on which he reported the news (taking a break from renovating another pub; hope that's going well):

"Apparently someone called "50 cent" was recording a video promo outside the hairdressers next door to the Oakdale tonight. There were lots of lighting people, cameramen, people with fluffy microphones on sticks, and hangers-on....

Not really what you expect in a quiet back street in north London on a Wednesday night... as far as I can tell, the main part of the shoot took place earlier on in the warehouses up the street, which are occupied by a video production company. They are responsible for the largest ever tab at the pub: about £300 on their manager's credit card, about 4' long when printed as a till receipt."


No mention of what they drank, but 50 Cent's lyrics give a good idea of his preferences which are not exactly the typical Oakdale order:

"You mix a lil' Cris with a little Dom Perignon.
And a lil' Hennessy, you know we 'finna carry on."


On one hand I'm quite excited about having celebrities in the neighborhood, but on the other hand Mr. Cent has himself quite a reputation. But I'm not sure his reputation suits the area, which seems like a rather odd place to be shooting a video. The hairdressers' shop is not especially notable; it looks neither gritty nor hip (at least to my eye which admittedly is not well-tuned for either), and I wouldn't have it in my video, that's for sure. The pub, well, I certainly enjoy stopping by for a pint or two (and perhaps a hand of Koi-koi [no I am not affiliated with the yakuza]). Some of his other lyrics (warning: plenty of questionable comment if you are sensitive to that) don't offer any real insight (and I didn't see any new bullet holes in the Oakdale), so it remains a mystery. Unfortunately this means that I'll have to start watching 50 Cent's videos in order to spot nearby landmarks. If I manage to find it, I'm afraid I will be unable to stop myself from re-enacting scenes from the video.

By the way, readers who are curious about the term "finna" (quoted above from 50 Cent's song "Disco Inferno") will be pleased to know that the Language Log contains a brief discussion of this term and its use (here): a contraction of "fixing to" akin to "gonna" for "going to".
Monday, September 26, 2005 2:39:09 PM (GMT Standard Time, UTC+00:00)  #    Disclaimer  |  Comments [3]  | 
 Friday, September 23, 2005
It's time for another photo post, this time a few images loosely connected by the east London theme. In a previous entry I mentioned an impressive Hindu temple in the middle of a very ordinary neighborhood. As promised, here is a picture of the top of the London Sri Murugan temple (whose website is now working!), which has been built from granite and marble (carved in India, then brought to East Ham):


The lower part of the building is still covered in scaffolding, so it's still not quite complete. This picture was taken from just across the street, so it's not quite as gigantically impressive as the Shri Swaminarayan Mandir. But seeing it unexpectedly in the middle of such an ordinary neighborhood was a very pleasant surprise.

The rest of the photos come from a bike ride a few weeks back, in which I wandered around the River Lea valley (future site of the 2012 Olympics, and thus due for some serious regeneration work). Here is a view of the path, looking north. Although cycling is permitted, the conditions are not ideal as the path is quite narrow, popular with cyclists and walkers, and the edge of the path is the bank of the river (I am paranoid about falling or being knocked into the water). On the right you can see some of the many narrowboats that occupy this section of the river (as a hoarder, I can't imagine living in such a small space).


In the next picture I'm standing on a high(ish) footbridge across the river looking south. To my left is the Springfield Marina, and to the right is Springfield Park (I've never stopped there, but maybe I should ["built on the grounds of three 19th century houses (one of which still stands and has a rather nice café). The old glasshouses belonging to the buildings have since been turned into a tropical conservatory and are home to a pond and ornamental carp. All in all, a good place to visit on a sunny morning"]).The path alongside the river is just as narrow as before.


The east side of the Lea Valley at this point is full of water treatment facilities which lie just beyond the railroad crossing pictured here. The underpass is exactly five feet high (at the highest point), and just wide enough for two crouching cyclists to pass each other without contact if neither of them are wobbling. The pavement is also in rather poor condition here; just after I took this photo (before I got back on the bike) I was crashed into from behind by a tumbling jogger who tripped over a hole in the pavement and fell down.


After the underpass you can continue straight (past the water treatment plant, reservoirs and so on) and back into built-up areas (Walthamstow), or turn right and enter the marshland paths. As usual I did the latter, following the power lines through an otherwise natural landscape, at least if you select your location carefully and keep your eyes straight ahead, as in the picture here:


Eventually I reached the entrance to the Eastway Cycle Centre, a small island in the middle of a mess of industrial/road/rail landscape. A good impression of the area comes from this frustrated comment on the website of the British Human Power Club: "Access is actually from Quarter Mile Lane, which can be found on the southern side of Ruckholt Road, the A106. Fairly close to the New Spitalfield Market, if that's any help. More detailed directions are a bit pointless due to the perpetual construction of the M11 Link Road; the situation on the ground doesn't look much like any map, and changes quite frequently.". It currently includes a 1-mile road racing circuit as well as a serious mountain bike/cyclocross circuit. The site will apparently be redeveloped for the Olympics, to include a velodrome but to the possible expense of the off-road circuit (Eastway mountain biking still at risk from Olympic plans; a full set of considerations for a successful cycling facility, compiled by the Eastway Users Group can be found here). The picture below (looking south) shows one entry to the off-road circuit; the parking lot is to the left (it was full of serious roadies warming up for some sort of race event). I'm standing on an overpass which seems to serve only the cycle circuit, and the towers of the City of London can be seen in the distance:


My ride back took a less-pleasant turn down a highly-industrialized road (albeit with a segregated bike lane), past the construction site for a new ASDA (part of the Wal-Mart family) and many other construction sites. I breathed lots of dust and didn't feel like stopping for any pictures. Until part of the cycle path branched off towards another footbridge. It's a highly overgrown and rather secluded area, with a lot of ripe blackberries (at least when I went there). Here's a picture looking back south at the path, from the top of the footbridge. Somewhere in the underbrush to my left is my lens cap (Whoops! At least it was a cheapo replacement for the one I previously lost). Just across the bridge is a "pitch & putt" golf course; the bike path goes right through the middle of it, semi-protected by giant fences. But I got out of there fast, all I could think of was "target practice".


bike | travel
Friday, September 23, 2005 11:10:46 AM (GMT Standard Time, UTC+00:00)  #    Disclaimer  |  Comments [5]  | 
 Thursday, September 22, 2005

As a music obsessive I spend an awful lot of time listening to music at work (pretty much continuously, except when I'm discussing things with other people, or dealing with non-musical audio files). My preferences tend to change from week to week, but have usually included a mix of internet radio (often from the "Americana", "Alt-country" or bluegrass genres) and legally-recorded and legally-downloaded live performances by artists I am particularly fond of. Lately I've been taking advantage of a large-scale repository of free, legally-downloadable music, courtesy of archive.org.

I found my way to archive.org through its connections with etree, a group formed with the aim of sharing high-quality concert recordings of artists who permit the free distribution of their live music. From their "About" page,

"Etree.org owns nothing. It is not a corporation and there certainly are no corporate offices. All work is volunteer, and all servers are independently owned and operated. The common thread is a belief among its members that music which bands permit to be traded, should be freely traded.

Not all music is available through etree.org. This biggest difference between etree.org and other online music sites is that Etree.org deals exclusively with legally tradeable music. We only deal with live recordings by artists that allow taping and/or free trading of their performances. The list of TradeFriendly bands grows daily."


The etree community at that time consisted of a lot of individuals, independently running their own public FTP servers and posting "contents" announcements on a mailing list (I ran one myself for quite some time, and it's still around although no longer open 24/7). Things are somewhat different now that archive.org exists, as it provides a central repository ("digital library", if you like) of numerous artists who allow this sort of taping and trading of their music. This solves the two main problems of the independent server operator: storage space and bandwidth usage, as both are provided for this specific purpose (rather than "liberated" as was quite often the case, for example the classic Undernet (RIP, 1999-2002) whose "death announcement" (now sadly unavailable online, it seems) was an excellent tale of cat and mouse before its eventual shutdown).

The etree collection can be found here, and features a number of my currently favorite artists (most of whom are also available in MP3 format for easy online streaming), such as the Drive-By Truckers (138 live shows), Danny Barnes (30 shows, plus Bad Livers which adds 14 more), and who can forget the Grateful Dead for whom an astounding 2937 different recordings are available (by careful splicing, you could probably create a version of Drums > Space > Drums that would last a whole lifetime!!). I've been listening to a lot of artists I'm not especially familiar with (although some quality control is necessary; even though a band allows their live material to be recorded and shared, it may not deserve such treatment).

And it's not just the Etree collection that's available on archive.org. There's a nice collection of digitized 78rpm records (I'm currently listening to a Benny Bell collection [all "double-entendre party records" like "Noses Run In My Family", mostly from the 1940s]), and open source audio as well, here (open to the community for the contribution of any type of audio). There are some really interesting old-timey recordings from the 20s and 30s under the "Country" and "Blues" classifications; I haven't explored this collection much further.


This last comment doesn't have anything to do with music, but I see that my local bike shop has Banana Guards on clearance. Although I've never worried before about the possibility of crushed bananas, now all I can do is worry. Fortunately I am taking the bike in for service tomorrow morning, perhaps I'll come back with a collection of banana protectors.
Thursday, September 22, 2005 11:31:19 AM (GMT Standard Time, UTC+00:00)  #    Disclaimer  |  Comments [0]  | 
 Wednesday, September 21, 2005

Once-popular British music star Cliff Richard may be unknown in the US, but has been a huge star in the UK since the beginning of his career in the 1950s. According to the Wikipedia entry, he ...

Has sold more singles in the UK than any other artist (2nd place: the Beatles; 3rd place: Elvis);

Has had 14 #1 singles in the UK; only Elvis and the Beatles had more;

Is the only artist to have a #1 UK single in every decade since the inception of the UK singles charts (1952), with the exception of the 2000s which is not over;

Has been knighted.

But he's had enough, as this Guardian article explains (based on an interview Sir Cliff gave to the Daily Mail). His records aren't being played on the radio any more, and he blames an unofficial boycott:

"I just don't have the time to waste making a record that no one will play," he told the Daily Mail. "As a musician you make a record for the radio so that the public can hear it, but my songs don't get played. It's not that DJs don't like them, it's that the stations have a policy that says, 'We don't play him'." By way of a concession, he added: "I will be playing concerts until the day I die because I love the atmosphere - but I'll never make another record."

At first I scoffed at the notion of an unofficial boycott which sounds a lot like "sour grapes" to me. A situation like "The radio stations aren't playing my records any more, so I'll stop making them." seems entirely logical; why keep at it if they are no longer in demand? As it turns out, reading the rest of the article, it sounds like there have been "boycotts" in the past:

Sir Cliff's status as a radio star began to wane in 1998 when Chris Evans - then the breakfast show host on Virgin Radio - vowed he would never again play one of his records. Other stations took up the cause to such an extent that the DJ Tony Blackburn was suspended from his job on Classic Gold for breaking the ban.

Now, seven years later, instead of an official boycott, it's become unofficial? Perhaps this is driven by slipping popularity. This scarily-complete site documenting Cliff Richard's chart performance shows his sad performance on the charts since 2000:
"Over The Rainbow/Wonderful World" reached #11 in December 2001; "Let Me Be The One" only made it to #29 in spring 2002; another shot at Christmas #1, "Santa's List" got to #5 in December 2003. In 2004 he charted twice, with "Somethin' Is Goin' On" (#9 in October) and yet another Christmas #1 attempt "I Cannot Give You My Love" (#13). Most recently "What Car" got to #12 in May, but disappeared quickly thereafter. The site commentary tries to put a positive spin on it, but it sounds a little forced:

Cliff's single of Over the rainbow is the 'biggest' hit version of the song in the British chart. Other versions and chart positions: Matchbox (No.15), Sam Harris (No.67) and Eva Cassidy (No.42)...

...Santa's List was Cliff's 125th hit single, his 65th Top 10 hit single and is his biggest hit in the 2000's to date. It has the distinction of being the ONLY Cliff single to peak at No.5 in the official U.K. singles chart!


At least die-hard fans can count on continuing to see him at concerts, and Cliff completists will finally be able to take a break.
Wednesday, September 21, 2005 11:59:09 AM (GMT Standard Time, UTC+00:00)  #    Disclaimer  |  Comments [0]  |